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	<title>Anarchy 94/Daniel Guerin's anarchism - Revision history</title>
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		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=898&amp;oldid=prev</id>
		<title>imported&gt;Ivanhoe at 22:22, 23 September 2016</title>
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		<updated>2016-09-23T22:22:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;amp;diff=898&amp;amp;oldid=897&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>imported&gt;Ivanhoe</name></author>
		
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		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=897&amp;oldid=prev</id>
		<title>imported&gt;Ivanhoe at 22:10, 23 September 2016</title>
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		<updated>2016-09-23T22:10:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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		<author><name>imported&gt;Ivanhoe</name></author>
		
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		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=896&amp;oldid=prev</id>
		<title>imported&gt;Ivanhoe at 22:05, 23 September 2016</title>
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		<updated>2016-09-23T22:05:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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		<author><name>imported&gt;Ivanhoe</name></author>
		
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		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=895&amp;oldid=prev</id>
		<title>69.50.181.155 at 06:19, 15 September 2016</title>
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		<updated>2016-09-15T06:19:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 06:19, 15 September 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]), it is pleasant to come to ''{{l|Ni dieu ni ma&amp;amp;icirc;tre|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf brothers|André and Georges Nataf}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|Manifesto_of_the_121}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]), it is pleasant to come to ''{{l|Ni dieu ni ma&amp;amp;icirc;tre|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf brothers|André and Georges Nataf}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|Manifesto_of_the_121}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Joseph Proudhon&lt;/del&gt;}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://theanarchistlibrary.org/library/pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Joseph_Proudhon&lt;/ins&gt;}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://theanarchistlibrary.org/library/pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}It is, however, possible to quarrel with the selection of passages and with the general approach to the movement. Proudhon may have been the first writer who accepted the name of anarchist, but he was hardly the first who was one. If {{w|Godwin|William_Godwin}} is to be excluded because he was only a philosophical anarchist and was not involved in any kind of movement, there should still surely be room for some of those contemporaries and predecessors of Proudhon who were concerned with the practical as well as theoretical applications of anarchism{{dash}}{{w|Bellegarrigue|Anselme_Bellegarrigue}} and {{l|Coeurderoy|https://fr.wikipedia.org/wiki/Ernest_Cœurderoy}} (there is one short passage from {{w|D&amp;amp;eacute;jacque|Joseph_Déjacque}}) or {{w|Varlet|Jean-François_Varlet}} and {{w|Roux|Jacques_Roux}} in France, for example, and {{w|Hodgskin|Thomas_Hodgskin}} and {{w|Winstanley|Gerrard_Winstanley}} or even {{w|John Ball|John_Ball_(priest)}} in England. It is good to&amp;lt;!-- 'be' in original --&amp;gt; be reminded of Proudhon&amp;amp;rsquo;s importance, but it would be a pity to get the impression that he invented anarchism; he and Bakunin{{dash|also important but surely not all ''that'' important}}together take up nearly half the book, which really does seem too much.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}It is, however, possible to quarrel with the selection of passages and with the general approach to the movement. Proudhon may have been the first writer who accepted the name of anarchist, but he was hardly the first who was one. If {{w|Godwin|William_Godwin}} is to be excluded because he was only a philosophical anarchist and was not involved in any kind of movement, there should still surely be room for some of those contemporaries and predecessors of Proudhon who were concerned with the practical as well as theoretical applications of anarchism{{dash}}{{w|Bellegarrigue|Anselme_Bellegarrigue}} and {{l|Coeurderoy|https://fr.wikipedia.org/wiki/Ernest_Cœurderoy}} (there is one short passage from {{w|D&amp;amp;eacute;jacque|Joseph_Déjacque}}) or {{w|Varlet|Jean-François_Varlet}} and {{w|Roux|Jacques_Roux}} in France, for example, and {{w|Hodgskin|Thomas_Hodgskin}} and {{w|Winstanley|Gerrard_Winstanley}} or even {{w|John Ball|John_Ball_(priest)}} in England. It is good to&amp;lt;!-- 'be' in original --&amp;gt; be reminded of Proudhon&amp;amp;rsquo;s importance, but it would be a pity to get the impression that he invented anarchism; he and Bakunin{{dash|also important but surely not all ''that'' important}}together take up nearly half the book, which really does seem too much.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>69.50.181.155</name></author>
		
	</entry>
	<entry>
		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=894&amp;oldid=prev</id>
		<title>imported&gt;Ivanhoe at 09:06, 13 September 2016</title>
		<link rel="alternate" type="text/html" href="https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=894&amp;oldid=prev"/>
		<updated>2016-09-13T09:06:21Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 09:06, 13 September 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot; &gt;Line 21:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]), it is pleasant to come to ''{{l|Ni dieu ni ma&amp;amp;icirc;tre|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf|André and Georges Nataf &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;brothers&lt;/del&gt;}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|Manifesto_of_the_121}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]), it is pleasant to come to ''{{l|Ni dieu ni ma&amp;amp;icirc;tre|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;brothers&lt;/ins&gt;|André and Georges Nataf}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|Manifesto_of_the_121}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://theanarchistlibrary.org/library/pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://theanarchistlibrary.org/library/pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Ivanhoe</name></author>
		
	</entry>
	<entry>
		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=893&amp;oldid=prev</id>
		<title>imported&gt;Ivanhoe at 09:03, 13 September 2016</title>
		<link rel="alternate" type="text/html" href="https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=893&amp;oldid=prev"/>
		<updated>2016-09-13T09:03:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 09:03, 13 September 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot; &gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]), it is pleasant to come to ''{{l|Ni dieu ni ma&amp;amp;icirc;tre|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf|André and Georges Nataf brothers}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;}}&lt;/del&gt;}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Manifesto of the 121&lt;/del&gt;}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]), it is pleasant to come to ''{{l|Ni dieu ni ma&amp;amp;icirc;tre|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf|André and Georges Nataf brothers}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Manifesto_of_the_121&lt;/ins&gt;}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://theanarchistlibrary.org/library/pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://theanarchistlibrary.org/library/pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Ivanhoe</name></author>
		
	</entry>
	<entry>
		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=892&amp;oldid=prev</id>
		<title>imported&gt;Ivanhoe at 08:57, 13 September 2016</title>
		<link rel="alternate" type="text/html" href="https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=892&amp;oldid=prev"/>
		<updated>2016-09-13T08:57:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:57, 13 September 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://theanarchistlibrary.org/library/pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://theanarchistlibrary.org/library/pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}It is, however, possible to quarrel with the selection of passages and with the general approach to the movement. Proudhon may have been the first writer who accepted the name of anarchist, but he was hardly the first who was one. If {{w|Godwin|William_Godwin}} is to be excluded because he was only a philosophical anarchist and was not involved in any kind of movement, there should still surely be room for some of those contemporaries and predecessors of Proudhon who were concerned with the practical as well as theoretical applications of anarchism{{dash}}{{w|Bellegarrigue|Anselme_Bellegarrigue}} and {{l|Coeurderoy|https://fr.wikipedia.org/wiki/Ernest_Cœurderoy}} (there is one short passage from {{w|D&amp;amp;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;eacutejacque&lt;/del&gt;|Joseph_Déjacque}}) or {{w|Varlet|Jean-François_Varlet}} and {{w|Roux|Jacques_Roux}} in France, for example, and {{w|Hodgskin|Thomas_Hodgskin}} and {{w|Winstanley|Gerrard_Winstanley}} or even {{w|John Ball|John_Ball_(priest)}} in England. It is good to&amp;lt;!-- 'be' in original --&amp;gt; be reminded of Proudhon&amp;amp;rsquo;s importance, but it would be a pity to get the impression that he invented anarchism; he and Bakunin{{dash|also important but surely not all ''that'' important}}together take up nearly half the book, which really does seem too much.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}It is, however, possible to quarrel with the selection of passages and with the general approach to the movement. Proudhon may have been the first writer who accepted the name of anarchist, but he was hardly the first who was one. If {{w|Godwin|William_Godwin}} is to be excluded because he was only a philosophical anarchist and was not involved in any kind of movement, there should still surely be room for some of those contemporaries and predecessors of Proudhon who were concerned with the practical as well as theoretical applications of anarchism{{dash}}{{w|Bellegarrigue|Anselme_Bellegarrigue}} and {{l|Coeurderoy|https://fr.wikipedia.org/wiki/Ernest_Cœurderoy}} (there is one short passage from {{w|D&amp;amp;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;eacute;jacque&lt;/ins&gt;|Joseph_Déjacque}}) or {{w|Varlet|Jean-François_Varlet}} and {{w|Roux|Jacques_Roux}} in France, for example, and {{w|Hodgskin|Thomas_Hodgskin}} and {{w|Winstanley|Gerrard_Winstanley}} or even {{w|John Ball|John_Ball_(priest)}} in England. It is good to&amp;lt;!-- 'be' in original --&amp;gt; be reminded of Proudhon&amp;amp;rsquo;s importance, but it would be a pity to get the impression that he invented anarchism; he and Bakunin{{dash|also important but surely not all ''that'' important}}together take up nearly half the book, which really does seem too much.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}Similarly, the only individualist anarchist quoted is {{w|Max Stirner|Max_Stirner}}, but he was hardy the only one, and he too was very much a philosophical anarchist{{dash}}if indeed he was strictly speaking an anarchist at all. He is described as a {{qq|solitary rebel}}, but there have been plenty of other individualists who wrote things still worth reading{{dash}}Godwin, {{w|Shelley|Percy_Bysshe_Shelley}} and {{w|Wilde|Oscar_Wilde}} in Britain, {{w|Ballou|Adin_Ballou}}, {{w|Warren|Josiah_Warren}}, {{w|Andrews|Stephen_Pearl_Andrews}}, {{w|Spooner|Lysander_Spooner}} and {{w|Tucker|Benjamin_Tucker}} in the United States, {{w|Libertad|Albert_Libertad}} and {{w|Armand|Émile_Armand}} in France, Chorny in Russia, {{popup|Martucci|Enzo Martucci}}{{dash}}and it would have been interesting to have something from some of them. Even {{qq|Saint Max}} gets only 15 pages, which at less than 3 per cent seems a rather meagre ration for a small but still vigorous variety of anarchist thought.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;A translation of ''{{l|The False Principles of Our Education|https://theanarchistlibrary.org/library/max-stirner-the-false-principle-of-our-education}}'' (1842) has recently been published in the United States{{dash|see the [[Anarchy 92/Max Stirner on education|review]] by [[Author:S. E. Parker|S. E. Parker]] in [[Anarchy 92|{{sc|anarchy}} 92]]}}and it is included in the paperback edition of Max Stirner&amp;amp;rsquo;s works which has just appeared in Germany{{dash}}''Der Einzige und sien Eigentum, und andere Schriften'', edited by Hans G. Helms, and published by Carl Hanser, Munich, at 7.80 Dm.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}Similarly, the only individualist anarchist quoted is {{w|Max Stirner|Max_Stirner}}, but he was hardy the only one, and he too was very much a philosophical anarchist{{dash}}if indeed he was strictly speaking an anarchist at all. He is described as a {{qq|solitary rebel}}, but there have been plenty of other individualists who wrote things still worth reading{{dash}}Godwin, {{w|Shelley|Percy_Bysshe_Shelley}} and {{w|Wilde|Oscar_Wilde}} in Britain, {{w|Ballou|Adin_Ballou}}, {{w|Warren|Josiah_Warren}}, {{w|Andrews|Stephen_Pearl_Andrews}}, {{w|Spooner|Lysander_Spooner}} and {{w|Tucker|Benjamin_Tucker}} in the United States, {{w|Libertad|Albert_Libertad}} and {{w|Armand|Émile_Armand}} in France, Chorny in Russia, {{popup|Martucci|Enzo Martucci}}{{dash}}and it would have been interesting to have something from some of them. Even {{qq|Saint Max}} gets only 15 pages, which at less than 3 per cent seems a rather meagre ration for a small but still vigorous variety of anarchist thought.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;A translation of ''{{l|The False Principles of Our Education|https://theanarchistlibrary.org/library/max-stirner-the-false-principle-of-our-education}}'' (1842) has recently been published in the United States{{dash|see the [[Anarchy 92/Max Stirner on education|review]] by [[Author:S. E. Parker|S. E. Parker]] in [[Anarchy 92|{{sc|anarchy}} 92]]}}and it is included in the paperback edition of Max Stirner&amp;amp;rsquo;s works which has just appeared in Germany{{dash}}''Der Einzige und sien Eigentum, und andere Schriften'', edited by Hans G. Helms, and published by Carl Hanser, Munich, at 7.80 Dm.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}There is plenty of Kropotkin, as one would expect, but it is rather oddly chosen. There are two essays and three extracts from his first collection, {{l|''Paroles d&amp;amp;rsquo;un R&amp;amp;eacute;volt&amp;amp;eacute;''|https://theanarchistlibrary.org/library/petr-kropotkin-memoirs-of-a-revolutionist}}, and two letters and two descriptions of him during his last years; but there are only three short extracts from the lecture, {{l|{{i|Anarchy}}: {{i|Its Philosophy and Ideal}}|https://theanarchistlibrary.org/library/petr-kropotkin-anarchism-its-philosophy-and-ideal}} (which incidentally did not appear in ''Paroles d&amp;amp;rsquo;un R&amp;amp;eacute;volt&amp;amp;eacute;'' as is stated, but was given in 1896, eleven years after the collection was published), to represent the whole period between his imprisonment in France in 1883 and his return to Russia in 1917. It was after all during this time (while he was living in this country) that he produced the bulk of his most characteristic and original work: the later collections{{dash|''{{l|The Conquest of Bread|https://theanarchistlibrary.org/library/petr-kropotkin-the-conquest-of-bread}}; {{l|Fields, Factories and Workshops|https://theanarchistlibrary.org/library/petr-kropotkin-fields-factories-and-workshops-or-industry-combined-with-agriculture-and-brain-w}}; {{l|Mutual aid|https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution}}''}}many important pamphlets{{dash|''The Philosophy of Anarchism; {{l|Anarchism in Socialist Evolution|https://theanarchistlibrary.org/library/petr-kropotkin-the-place-of-anarchism-in-socialistic-evolution}}; ''{{l|{{i|The State}}: {{i|Its Historic Role}}|https://theanarchistlibrary.org/library/petr-kropotkin-the-state-its-historic-role}}''; {{l|Organised Vengeance Called Justice|https://theanarchistlibrary.org/library/petr-kropotkin-organised-vengeance-called-justice}}}}and a constant stream of articles in English, French and Russian. It is true that these are often better known and more easily available than some of the items included, but the result is that his message is distorted; while the passages included are certainly worth reading, they give little indication why Kropotkin should be by far the most widely read of all anarchist writers. It really is time that there was a proper edition of Kropotkin&amp;amp;rsquo;s political works so that we didn&amp;amp;rsquo;t have to rely on old pamphlets, expensive second-hand books, and occasional anthologies to find out what he said.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}There is plenty of Kropotkin, as one would expect, but it is rather oddly chosen. There are two essays and three extracts from his first collection, {{l|''Paroles d&amp;amp;rsquo;un R&amp;amp;eacute;volt&amp;amp;eacute;''|https://theanarchistlibrary.org/library/petr-kropotkin-memoirs-of-a-revolutionist}}, and two letters and two descriptions of him during his last years; but there are only three short extracts from the lecture, {{l|{{i|Anarchy}}: {{i|Its Philosophy and Ideal}}|https://theanarchistlibrary.org/library/petr-kropotkin-anarchism-its-philosophy-and-ideal}} (which incidentally did not appear in ''Paroles d&amp;amp;rsquo;un R&amp;amp;eacute;volt&amp;amp;eacute;'' as is stated, but was given in 1896, eleven years after the collection was published), to represent the whole period between his imprisonment in France in 1883 and his return to Russia in 1917. It was after all during this time (while he was living in this country) that he produced the bulk of his most characteristic and original work: the later collections{{dash|''{{l|The Conquest of Bread|https://theanarchistlibrary.org/library/petr-kropotkin-the-conquest-of-bread}}; {{l|Fields, Factories and Workshops|https://theanarchistlibrary.org/library/petr-kropotkin-fields-factories-and-workshops-or-industry-combined-with-agriculture-and-brain-w}}; {{l|Mutual aid|https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution}}''}}many important pamphlets{{dash|''The Philosophy of Anarchism; {{l|Anarchism in Socialist Evolution|https://theanarchistlibrary.org/library/petr-kropotkin-the-place-of-anarchism-in-socialistic-evolution}}; ''{{l|{{i|The State}}: {{i|Its Historic Role}}|https://theanarchistlibrary.org/library/petr-kropotkin-the-state-its-historic-role}}''; {{l|Organised Vengeance Called Justice|https://theanarchistlibrary.org/library/petr-kropotkin-organised-vengeance-called-justice}}&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;}}and a constant stream of articles in English, French and Russian. It is true that these are often better known and more easily available than some of the items included, but the result is that his message is distorted; while the passages included are certainly worth reading, they give little indication why Kropotkin should be by far the most widely read of all anarchist writers. It really is time that there was a proper edition of Kropotkin&amp;amp;rsquo;s political works so that we didn&amp;amp;rsquo;t have to rely on old pamphlets, expensive second-hand books, and occasional anthologies to find out what he said.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}No one could object to the representation of Malatesta, but it is a pity to have no other Italian passages, unless one counts {{w|Cafiero|Carlo_Cafiero}}&amp;amp;rsquo;s Swiss lecture, {{l|''Anarchy and Communism''|http://www.socialismolibertario.it/cafiero4.pdf}} (which is incidentally dated 1889 instead of 1880). In the same way, no one could object to the emphasis on the Russian and Spanish revolutions and civil wars, and the passages chosen give excellent pictures in both cases, but it would have been valuable to have something on the similar episodes in Germany and Italy just after the First World War, or on some of the more significant events in, say, the United States, Latin America, China, Japan, or even Britain.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}No one could object to the representation of Malatesta, but it is a pity to have no other Italian passages, unless one counts {{w|Cafiero|Carlo_Cafiero}}&amp;amp;rsquo;s Swiss lecture, {{l|''Anarchy and Communism''|http://www.socialismolibertario.it/cafiero4.pdf}} (which is incidentally dated 1889 instead of 1880). In the same way, no one could object to the emphasis on the Russian and Spanish revolutions and civil wars, and the passages chosen give excellent pictures in both cases, but it would have been valuable to have something on the similar episodes in Germany and Italy just after the First World War, or on some of the more significant events in, say, the United States, Latin America, China, Japan, or even Britain.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Ivanhoe</name></author>
		
	</entry>
	<entry>
		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=891&amp;oldid=prev</id>
		<title>69.50.181.155 at 00:16, 13 September 2016</title>
		<link rel="alternate" type="text/html" href="https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=891&amp;oldid=prev"/>
		<updated>2016-09-13T00:16:32Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:16, 13 September 2016&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Daniel guerins anarchism}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Daniel guerins anarchism}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Cateogyr&lt;/del&gt;:Anarchist history]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Category&lt;/ins&gt;:Anarchist history]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Literary criticism]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Literary criticism]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>69.50.181.155</name></author>
		
	</entry>
	<entry>
		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=890&amp;oldid=prev</id>
		<title>imported&gt;Ivanhoe at 00:06, 13 September 2016</title>
		<link rel="alternate" type="text/html" href="https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=890&amp;oldid=prev"/>
		<updated>2016-09-13T00:06:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:06, 13 September 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]), it is pleasant to come to ''{{l|Ni dieu ni ma&amp;amp;icirc;tre|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf|André and Georges Nataf brothers}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|Manifesto of the 121}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]), it is pleasant to come to ''{{l|Ni dieu ni ma&amp;amp;icirc;tre|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf|André and Georges Nataf brothers}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|Manifesto of the 121}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;en.wikisource&lt;/del&gt;.org/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;wiki&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;What_is_Property?&lt;/del&gt;}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;theanarchistlibrary&lt;/ins&gt;.org/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;library&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;pierre-joseph-proudhon-what-is-property-an-inquiry-into-the-principle-of-right-and-of-governmen&lt;/ins&gt;}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}It is, however, possible to quarrel with the selection of passages and with the general approach to the movement. Proudhon may have been the first writer who accepted the name of anarchist, but he was hardly the first who was one. If {{w|Godwin|William_Godwin}} is to be excluded because he was only a philosophical anarchist and was not involved in any kind of movement, there should still surely be room for some of those contemporaries and predecessors of Proudhon who were concerned with the practical as well as theoretical applications of anarchism{{dash}}{{w|Bellegarrigue|Anselme_Bellegarrigue}} and {{l|Coeurderoy|https://fr.wikipedia.org/wiki/Ernest_Cœurderoy}} (there is one short passage from {{w|D&amp;amp;eacutejacque|Joseph_Déjacque}}) or {{w|Varlet|Jean-François_Varlet}} and {{w|Roux|Jacques_Roux}} in France, for example, and {{w|Hodgskin|Thomas_Hodgskin}} and {{w|Winstanley|Gerrard_Winstanley}} or even {{w|John Ball|John_Ball_(priest)}} in England. It is good to&amp;lt;!-- 'be' in original --&amp;gt; be reminded of Proudhon&amp;amp;rsquo;s importance, but it would be a pity to get the impression that he invented anarchism; he and Bakunin{{dash|also important but surely not all ''that'' important}}together take up nearly half the book, which really does seem too much.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}It is, however, possible to quarrel with the selection of passages and with the general approach to the movement. Proudhon may have been the first writer who accepted the name of anarchist, but he was hardly the first who was one. If {{w|Godwin|William_Godwin}} is to be excluded because he was only a philosophical anarchist and was not involved in any kind of movement, there should still surely be room for some of those contemporaries and predecessors of Proudhon who were concerned with the practical as well as theoretical applications of anarchism{{dash}}{{w|Bellegarrigue|Anselme_Bellegarrigue}} and {{l|Coeurderoy|https://fr.wikipedia.org/wiki/Ernest_Cœurderoy}} (there is one short passage from {{w|D&amp;amp;eacutejacque|Joseph_Déjacque}}) or {{w|Varlet|Jean-François_Varlet}} and {{w|Roux|Jacques_Roux}} in France, for example, and {{w|Hodgskin|Thomas_Hodgskin}} and {{w|Winstanley|Gerrard_Winstanley}} or even {{w|John Ball|John_Ball_(priest)}} in England. It is good to&amp;lt;!-- 'be' in original --&amp;gt; be reminded of Proudhon&amp;amp;rsquo;s importance, but it would be a pity to get the impression that he invented anarchism; he and Bakunin{{dash|also important but surely not all ''that'' important}}together take up nearly half the book, which really does seem too much.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Ivanhoe</name></author>
		
	</entry>
	<entry>
		<id>https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=889&amp;oldid=prev</id>
		<title>imported&gt;Ivanhoe at 00:05, 13 September 2016</title>
		<link rel="alternate" type="text/html" href="https://anarchy-mag.org//index.php?title=Anarchy_94/Daniel_Guerin%27s_anarchism&amp;diff=889&amp;oldid=prev"/>
		<updated>2016-09-13T00:05:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:05, 13 September 2016&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{j|'''NI DIEU NI MAITRE. Anthologie historique du mouvement anarchiste. (Paris: Editions de Delphes. 44 fracs.)'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{j|'''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{l|&lt;/ins&gt;NI DIEU NI MAITRE. Anthologie historique du mouvement anarchiste.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}} &lt;/ins&gt;(Paris: Editions de Delphes. 44 fracs.)'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Daniel Gu&amp;amp;eacute;rin. L&amp;amp;rsquo;ANARCHISME. De la doctrine &amp;amp;agrave; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Paction&lt;/del&gt;. Collection {{qq|Id&amp;amp;eacute;es}}, No. 89. (Paris: NRF-Gallimard. 3 francs.)'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Daniel Gu&amp;amp;eacute;rin. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{l|&lt;/ins&gt;L&amp;amp;rsquo;ANARCHISME. De la doctrine &amp;amp;agrave; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;l&amp;amp;rsquo;action.|https://theanarchistlibrary&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;org/library/daniel-guerin-anarchism-from-theory-to-practice}} &lt;/ins&gt;Collection {{qq|Id&amp;amp;eacute;es}}, No. 89. (Paris: NRF-Gallimard. 3 francs.)'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]], it is pleasant to come to ''Ni dieu ni ma&amp;amp;icirc;tre'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf|André and Georges Nataf brothers}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|Manifesto of the 121}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{sc|After the two disappointing anthologies}} of anarchist writings from the United States which were reviewed two years ago ([[Anarchy 70|{{sc|anarchy}} 70]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/ins&gt;, it is pleasant to come to ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{l|&lt;/ins&gt;Ni dieu ni ma&amp;amp;icirc;tre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|https://libcom.org/files/No_Gods_No_Masters_Complete_Unabridged.pdf}}&lt;/ins&gt;'', a {{qq|historical anthology of the anarchist movement}} which was published in France in 1965. We are told that it was produced {{qq|by the staff of Editions de Delphes with the help of {{w|Daniel Gu&amp;amp;eacute;rin|Daniel_Guérin}}}}; the staff of the {{popup|Nataf|André and Georges Nataf brothers}} who are connected with the excellent anarchist monthly, ''Noir et Rouge'', and Gu&amp;amp;eacute;rin is a veteran socialist who became an anarchist.&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Gu&amp;amp;eacute;rin was born in 1904, and during the 1930s was a leader of the {{qq|{{w|Revolutionary Left|Marceau_Pivert}}}} in the {{w|Socialist Party|French_Section_of_the_Workers'_International}} and, when it was expelled, of the {{qq|Workers and Peasants Socialist Party|Workers_and_Peasants'_Socialist_Party}}}}, a {{w|Troskyoid|Trotskyism}} group which collapsed after the {{w|fall of France|Battle_of_France}}. He was an important Marxist writer of a more or less Trotskyist variety{{dash|on the French Revolution, Fascism, colonialism and racialism}}but for a time he attempted a synthesis between Marxism and anarchism, and he finally turned to a {{w|syndicalist|Anarcho-syndicalism}} form of anarchism. He is also a well-known poet and dramatist, and was one of the {{qq|121}} who signed the famous {{w|manifesto|Manifesto of the 121}} against the {{w|Algerian war|Algerian_War}} in 1960.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; Quite simply, they show how the job should be done: the book is very large (nearly 700 pages), very well produced,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Special mention should be made of the beautiful design of the book by {{popup|G. Nataf|Georges Nataf}} (based on the ingenious use of sans-serif {{w|Helvetica|Helvetica}} type in a variety of sizes and measures) and of the fine printing by Ganguin and Laubscher of {{w|Montreaux|Montreaux}}, Switzerland. There are incidentally fifteen pages of well chosen illustrations, mostly portraits of anarchist leaders.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; very expensive (about 3&amp;amp;frac12; guineas), and very valuable.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://en.wikisource.org/wiki/What_is_Property?}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}''Ni dieu ni ma&amp;amp;icirc;tre'' was published to commemorate the centenary of {{w|Proudhon|Pierre-Joseph Proudhon}}&amp;amp;rsquo;s death in 1865, and it covers the century from the appearance of {{l|''What is Property?''|https://en.wikisource.org/wiki/What_is_Property?}} (in which Proudhon became the first person to call himself an anarchist) in 1840 to the defeat of militant anarchism in {{w|Spain in 1939|Spanish_Civil_War,_1938–39}}. After a short preface and a not on the Proudhone centenary by Gu&amp;amp;eacute;rin, there are more than 150 passages divided into ten sections: Proudhon and the {{w|1848 Revolution|French_Revolution_of_1848}}; {{w|Bakunin|Mikhail_Bakunin}} and the {{w|First International|International_Workingmen's_Association}}; {{w|Max Stirner|Max Stirner}}; the {{w|Jura Federation|Jura_Federation}} and the {{w|anarchist congresses|International_Anarchist_Congresses}}; [[Author:Peter Kropotkin|Kropotkin]]; {{w|Malatesta|Errico_Malatesta}}; the French movement from the {{w|1871 Commune|Paris_Commune}} to the rise of syndicalism; {{w|Makhno|Nestor_Makhno}} and the Ukrainian movement during the {{w|Russian Revolution|October_Revolution}} and {{w|Civil War|Russian_Civil_War}}. The passages included, says Gu&amp;amp;eacute;rin, are {{qq|either unpublished or unobtainable, or kept in the dark by a conspiracy of silence}}. They are also unmistakably anarchist{{dash}}there is no confusion with {{w|liberalism|Liberalism}} on the one side or with {{w|nihilism|Nihilism}} on the other. The result is a faithful picture from the inside of what the anarchist movement has meant to most anarchists for most of its existence and, for anyone who can read French, by far the best single book on anarchism ever published.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l61&quot; &gt;Line 61:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 61:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}In his conclusion, Gu&amp;amp;eacute; goes beyond the time limit of the end of the Spanish Civil War, and gives the examples of recent Yugoslav and Algerian experiments in workers&amp;amp;rsquo; control of industry to support his argument for the continuing{{dash|or rather, increasing}}relevance of anarchism. They make sense in terms of the detailed organisation of factory work which is his main concern, but hardly in terms of the wider life of the community; it is surely a Marxist fallacy that the mode of production determines the nature of society as a whole. Although Gu&amp;amp;eacute;rin is well aware of the authoritarian features of the Communist regime in Yugoslavia and the {{qq|Socialist}} regime in Algeria (and of the regimes in Russia and Cuba, which he also mentions), his concentration on such examples at the expense of all the others he could have chosen tends to blunten his important point that anarchism is directly related to the problems of modern society, and to strengthen the feeling that in many ways his position is still a form of libertarian Marxism rather than of syndicalist anarchism.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}In his conclusion, Gu&amp;amp;eacute; goes beyond the time limit of the end of the Spanish Civil War, and gives the examples of recent Yugoslav and Algerian experiments in workers&amp;amp;rsquo; control of industry to support his argument for the continuing{{dash|or rather, increasing}}relevance of anarchism. They make sense in terms of the detailed organisation of factory work which is his main concern, but hardly in terms of the wider life of the community; it is surely a Marxist fallacy that the mode of production determines the nature of society as a whole. Although Gu&amp;amp;eacute;rin is well aware of the authoritarian features of the Communist regime in Yugoslavia and the {{qq|Socialist}} regime in Algeria (and of the regimes in Russia and Cuba, which he also mentions), his concentration on such examples at the expense of all the others he could have chosen tends to blunten his important point that anarchism is directly related to the problems of modern society, and to strengthen the feeling that in many ways his position is still a form of libertarian Marxism rather than of syndicalist anarchism.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}Gu&amp;amp;eacute;rin rightly attacks such recent historians of anarchism as {{w|Jean Maitron|Jean_Maitron}}, [[Author:George Woodcock|George Woodcock]] and {{w|James Joll|James_Joll}} for saying that the anarchist movement, however excellent it may have been in the past, is now dead and belongs only to the past. He will have none of this, and repeats the message of ''Ni dieu ni ma&amp;amp;icirc;tre. {{qq|Constructive anarchism, which found its most accomplished expression in the writings of Bakunin, relies on organisation, self-discipline, integration, a centralisation which is not coercive but federal. It depends on large-scale modern industry, on modern technology, on the modern proletariat, on internationalism on a world scale.}} On this challenging note, this challenging book ends. It is a remarkable message to find in a cheap paperback produced for a mass market; again, it would be interesting to know what kind of circulation it got in France, with its low price, and what kind of effect it has had on its readers.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}Gu&amp;amp;eacute;rin rightly attacks such recent historians of anarchism as {{w|Jean Maitron|Jean_Maitron}}, [[Author:George Woodcock|George Woodcock]] and {{w|James Joll|James_Joll}} for saying that the anarchist movement, however excellent it may have been in the past, is now dead and belongs only to the past. He will have none of this, and repeats the message of ''Ni dieu ni ma&amp;amp;icirc;tre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;. {{qq|Constructive anarchism, which found its most accomplished expression in the writings of Bakunin, relies on organisation, self-discipline, integration, a centralisation which is not coercive but federal. It depends on large-scale modern industry, on modern technology, on the modern proletariat, on internationalism on a world scale.}} On this challenging note, this challenging book ends. It is a remarkable message to find in a cheap paperback produced for a mass market; again, it would be interesting to know what kind of circulation it got in France, with its low price, and what kind of effect it has had on its readers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}To sum up, these two books are the expression of an original and exciting view of anarchism,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;A useful summary of Gu&amp;amp;eacute;rin&amp;amp;rsquo;s views in English is given in G. N. Charlton&amp;amp;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;rsuqo&lt;/del&gt;;s translation of a 1966 interview, which was published in {{sc|freedom}} on September 30, 1967.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; and they are also exactly the sort of book we should have in English. It is difficult to imagine the British (or American) anarchist movement producing or a British (or American) commercial publisher translating such a formidable and unprofitable undertaking as ''Ni dieu ni ma&amp;amp;icirc;tre'', but there is really no reason why a paperback publisher, either here or in the United States, shouldn&amp;amp;rsquo;t find it worth bringing out a translation of something as short and simple as ''L&amp;amp;rsquo;Anarchisme''. There is much interest in the Marxist or neo-Marxist background of the current phase of revolutionary activity in the West, and this is reflected in the current lists of enterprising publishers. But the anarchist background should be brought into focus as well, and it would be good to see books about anarchism on sale in this country which were produced by anarchists. We certainly have some lessons to learn from the French about propaganda as well as about insurrection.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{tab}}To sum up, these two books are the expression of an original and exciting view of anarchism,&amp;lt;ref&amp;gt;&amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;A useful summary of Gu&amp;amp;eacute;rin&amp;amp;rsquo;s views in English is given in G. N. Charlton&amp;amp;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;rsquo&lt;/ins&gt;;s translation of a 1966 interview, which was published in {{sc|freedom}} on September 30, 1967.&amp;lt;/font&amp;gt;&amp;lt;/ref&amp;gt; and they are also exactly the sort of book we should have in English. It is difficult to imagine the British (or American) anarchist movement producing or a British (or American) commercial publisher translating such a formidable and unprofitable undertaking as ''Ni dieu ni ma&amp;amp;icirc;tre'', but there is really no reason why a paperback publisher, either here or in the United States, shouldn&amp;amp;rsquo;t find it worth bringing out a translation of something as short and simple as ''L&amp;amp;rsquo;Anarchisme''. There is much interest in the Marxist or neo-Marxist background of the current phase of revolutionary activity in the West, and this is reflected in the current lists of enterprising publishers. But the anarchist background should be brought into focus as well, and it would be good to see books about anarchism on sale in this country which were produced by anarchists. We certainly have some lessons to learn from the French about propaganda as well as about insurrection.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Ivanhoe</name></author>
		
	</entry>
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